(b. 1992, Mexico City) is a Barcelona-based visual artist and cultural organizer working primarily with contemporary ceramics. Her practice is rooted in sustained research and material inquiry, drawing from psychology, shamanism, physics, quantum theory, biology, history, and feminist thought—fields that intertwine to inform each body of work.

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Approaching clay as a living and ritual material, she explores transformation, time, memory, and absence. For over a decade, her work has focused on the hollow as a charged space where tension, impermanence, and symbolic meaning converge. Through complex hand-built ceramic techniques, assemblage, and performative processes, sculpture becomes an embodied and meditative act—one that reflects on decay, becoming, and the unseen forces shaping matter and experience.

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Alongside her studio practice, Díaz García is a ceramics educator and the founder of DIUMENGEM (2021), a feminist, self-managed platform dedicated to collective creation, critical exchange, and care-centered pedagogies. Across both her artistic and pedagogical work, clay is understood not merely as a medium, but as a site of memory, resistance, and communal transformation.

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